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Succession PDF Print E-mail
Written by Webmaster   
Wednesday, 21 May 2008

Succession: A Story of Corporate Past

Reviewed By Stuart Nachbar


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Succession
I chose to review Herbert Lobsenz’ Succession because I believed that I could relate to the author as well as the story. Succession is Lobsenz’ first novel in 47 years, his previous work, Vangel Griffin, won a literary prize and appeared on the New York Times best seller list. Lobsenz had to put his writing career on hold, in favor of a business career as a necessity to support a growing family.

Succession has a shorter timeframe than the author’s career, but it is based on the same idea. Jake Garrison, an aspiring Civil War fiction novelist has a pregnant wife and sick father and he must return to a career of handling undercover due diligence for investors who want to purchase businesses.

The business in Succession is a large, struggling typewriter manufacturer that has been merged into an even larger corporate conglomerate, as was the practice during the 1960’s when the novel takes place. The company, Kensington has been in a losing battle on price, sales practices and technology; IBM has fast become a dominant player in the business-to-business with the Selectric and it is feared that they will enter the consumer market as well under their label or someone else’s. Some Kensington executives want that someone else to be Kensington, though Garrison’s client is not one of them.

To make matters worse, Garrison’s client has supposedly impregnated his wife. However, needing money, he follows a lesson he has lived by his whole life: show no pain.
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Last Updated ( Wednesday, 21 May 2008 )
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Landmark Status: A Ludicrous Romp Through Miami PDF Print E-mail
Written by Webmaster   
Saturday, 26 April 2008
Review By Stuart Nachbar

I used to be an urban planner and I worked in and followed big-city politics in New Jersey. I’m one of those people who watched eight seasons of The Sopranos and told friends that there were some scenes that were not too far from real life in urban North Jersey.

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Landmark Status
Being a huge Sopranos fan who also enjoys Carl Hiassen stories, I thought that I would like Landmark Status, Alan Rolnick’s debut novel. Like some good Sopranos episodes, there’s plenty of cigars, construction and corruption, though like Hiassen’s books, there’s a slightly goofy good-guy main character.

Rolnick’s main character, Benji Bluestone, is the type of lawyer I might have become had I gone to law school instead of becoming a planner. He’s reasonably sane, knows his work and loves sporty cars, but he’s not interested in the big money or the big deals. Benji is the son of a lawyer who founded the leading real estate law firm in Miami. He prefers to be his own man, but wants his father’s respect.

Benji’s the most believable character in Landmark, but Delia Torres, who becomes his love interest, is less credible. Maybe it’s me, coming from Jersey, but a Princeton grad returning to Miami to become an exercise instructor, then later a real estate broker, seemed too far flung. It would have better to characterize her as a former Florida Gator cheerleader with a 4.0. It would have also been more consistent with the story. Miami fans hate the Gators and it would better explain how Delia could kick “admirers” in the cojones and walk away with a smile. But I’ll drop a hint about the ending: it’s Delia who conceives the brilliant business solution to save the day.
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Last Updated ( Saturday, 26 April 2008 )
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Fables from the Mud PDF Print E-mail
Written by Webmaster   
Friday, 01 February 2008

An Interview with author Erik Quisling

...another great interview brought to you by the Virtual Book Review Network 

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Fables from the Mud
Lauren Smith: What inspired you to create a work of fiction? 

Erik Quisling:  I initially came up with the idea for Fables from the Mud shortly after I graduated college.  In the course of my soul searching and trying to figure out my place in the world, I was struck with the idea of a clam who was trying to do the exact same thing. For some reason it struck me as extremely amusing.  This is how The Angry Clam, the first fable in my book, was born. 

Lauren Smith: Do you see Fables From the Mud as a satire, cultural commentary or something more?

Erik Quisling:  Fables From The Mud is about three little creatures – a clam, an ant, and a worm – all of whom are struggling with very human problems.  The stories are satirical but in many ways are simply a cultural commentary on the human obsession with finding meaning in the world.  All in all, they are designed to be amusing and to get you to see somewhat the absurdity of taking life too seriously.

Lauren Smith: How did you develop each of the fables? 

Erik Quisling:  Each fable was born from its own separate bout of inspiration. In each case, it was a single line of text that came to me that was like lighting a fuse that set the story on its course.  Once the fuse was lit, the stories pretty much wrote themselves – I simply had to go back and edit them a little bit.

Lauren Smith: Are any of the characters based on anyone – or any type of person - you know?

Erik Quisling:  I can say that the more I read the stories, the more I learn about myself.  But I truly think each character is a reflection of some deeply common human experience – not of any human in particular.

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Last Updated ( Monday, 14 April 2008 )
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Why Won't Anyone Play With Me? PDF Print E-mail
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Saturday, 03 November 2007

An Interview with the author of Why Won’t Anyone Play with me?

 

Lauren Smith: What is your book about?

Joy V. Smith: Kallie Kitten wants to play, but all the animals run away from her; now she's left the barn and the farm animals and has wandered down to the pond, where she tries to play with other animals. The turtle goes into his shell; the frogs and salamander swim away in the pond; the tree frog jumps up onto a tree leaf. On another level, I think children may learn a lesson about playing more gently. 

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Why Won't Anyone Play With Me?
Lauren Smith: Why did you write this book?

Joy V. Smith: I enjoy writing about animals. Sammy's Beautiful Tail was about an anole (lizard) who lost his beautiful tail and had to get over it.  He had an attitude, but also a good friend ...If I can write a story with a deeper meaning, I am happy. 

Lauren Smith: What do you hope children will learn from your book?

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Last Updated ( Saturday, 03 November 2007 )
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Alex Webster and the Gods PDF Print E-mail
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Friday, 02 November 2007

 Interviewing the author of Alex Webster and the Gods  

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David Dent
VBRN: What inspired you to create a work of science fiction? 

David Dent: Science fiction and fantasy have always been obsessed with the nature of godhood. The idea came to me in 2002 after reading an article in the Atlantic Monthly on the explosion of new religious movements. The article noted that there were about 10,000 religions competing for our souls and that some sociologists use the idea of a religious economy or spiritual marketplace to explain what helps a religion succeed in gaining followers. One could say that Darwinism had its start in the heavens. Because the capitalist marketplace is the dominant metaphor, if not mythology, of our age, I thought it would be interesting to examine a world where gods are the producers of religious services, competing to meet the demands of humans.  

VBRN: How did you arrive at the idea of Yahweh as the first capitalist? 

David Dent: About the same time that I was considering ideas for my book, I was also taking a course in world religions. During one class the professor asked about the nature of god as presented in the Old Testament. Rather than responding from a theological perspective, I considered it from a modern reading of the Bible, asking, What kind of business leader was Yahweh? This was not by chance because my career at that point dealt with issues of corporate governance and management.  Interestingly, I found that one can argue Yahweh’s management style evolves from an entrepreneurial, hands-on deity to a maturing manager who, overtime, introduces more sophisticated management and control methods to achieve his goals. The cause for these changes is that Yahweh, like any good manager, learns from experience. His evolution is similar to that of many entrepreneurs who create new ventures and navigate them to successful organizations. In Yahweh’s case, his brand dominates the religion market, with Christianity taking about a 32 percent share worldwide. In other words, Yahweh’s story is not unlike that of Bill Gates or Henry Ford, evolving from a temperamental, even eccentric, entrepreneur to the avuncular, but distant, Chairman of the Board. And the idea tied in beautifully with the notion of a religious market. Arguably, Yahweh is the world’s first and oldest capitalist and, to this point, most successful. 

VBRN:  How did you decide on Jupiter as the old god looking for a comeback? 
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Last Updated ( Friday, 02 November 2007 )
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